Orchestra of the Eastern Shore to Perform Bach and Mozart for 2nd Friday and Mother’s Day Concerts
The Orchestra of the Eastern Shore will perform a free concert 4 p.m. Sunday, May 10, at Hungars Episcopal Church in Bridgetown. Bach’s Concerto for Oboe and Violin in C Minor will feature oboist Todd Worsham and the orchestra’s Music Director Paul Kim on violin. The second piece on the program will be Mozart’s Symphony No. 29 in A Major. [Read more…]
Arts Enter’s 19th annual Benefit by the Bay on Saturday, May 30, at the Oyster Farm at Kings Creek Marina is a night to celebrate the contributions of our many sponsors and donors. The Havana Nights-themed dinner/dance also celebrates the success of our educational and entertainment program in the fine and performing arts. Music, art, drama and dance fill the Historic Palace Theatre, the Stage Door Gallery, the dance studio and the art room. Many children have received their introduction to the arts through their involvement on the theatre stage or in a classroom at Arts Enter. Individual tickets to the Benefit by the Bay are $100 and may be purchased by calling 757 331-2787 or visiting the website: artsentercapecharles.org [Read more…]
April 27, 2015
Arts Enter at the Historic Palace Theatre presents the newest danceable drama created by Amy Watkins and Wayne Creed and performed by the Arts Enter School of Dance and other local thespians.
Performances are Saturday, May 16, 7 p.m. and Sunday, May 17, 3 p.m. at Historic Palace Theatre, 305 Mason Avenue. Tickets are $10 for adults and $5 for children, and may be purchased immediately before performance at the box office. [Read more…]
By WAYNE CREED
Cape Charles Wave
March 9, 2015
Some years ago, fairly new to Cape Charles, I walked into a cold Palace Theatre to take part in a poetry slam that was being hosted by Chris Bannon and the Friends of the Cape Charles Library. As usual I was unshaven, probably a bit hung over, and dressed in flannel and a wool beanie — I must have looked like one of the dock worker extras from On the Waterfront.
As I took a seat and waited for the reading to begin, two elegant, beautiful women entered and sat down. I thought to myself that they must have taken a wrong turn somewhere, or just had the time and place confused with some other. This was my first encounter with Sheila Cardano and her daughter, Clelia Sheppard.
I remember that afternoon well, as I read a story I had written about an odd Russian street performer and his beloved pug dog, and Ms. Cardano read one of her stories about a crazy squirrel. Life is serendipitous, contingent, and I always think of two events that actually saved my life: meeting my beautiful wife, and meeting Clelia Sheppard.
Growing up in West Haven, Connecticut, I remember my mother and grandmother taking me to the great New Haven theaters, and a love and fascination (appreciation) of the stage, whether drama, musical, or dance (Mom actually took me to NYC to see the great Edward Villella) stayed with me through high school and into college. After school, though, the passion kind of seeped away, replaced by other things such as work and career. In all, I had not thought of stepping onto the stage in close to 20 years.
How did Clelia Sheppard and her mom save my life? After meeting that first day, they somehow talked me into taking on a few roles in their Eastern Shore epic A Piece of Eden. By bringing me back into the fold of the theater, they woke up something that even I had forgotten how much I loved. In the years since then, I have had the pleasure to work with and learn from Clelia, but also meet some of my most wonderful friends (Dianne, Susan, Michael, Don, Mary Ann, Sherri, Keith, Amy, and the beautiful David Glowacki). I wish I could say my story is unique, but it is not. In fact, once you get to know Ms. Sheppard and her entire family, you will realize that it’s really quite common. [Read more…]
March 4, 2015
EDITOR’S NOTE: To our great surprise, yesterday we received the letter below from Clelia Sheppard, whose name is synonymous with the arts scene in Cape Charles and, by extension, the entire lower Eastern Shore. Ms. Sheppard is resigning as director of Arts Enter, but promises that she will remain a board member “ad infinitum.” Here is her eloquent and breathtaking letter:
DEAR COMMUNITY MEMBERS,
As I step down from my role as Executive Director and Artistic Director of Arts Enter Cape Charles, I have a question. I want to know—what inspires you? An Eastern Shore sunset? A work of art that grabs you and won’t let go? Perhaps it’s seeing your child perform on stage for the first time, or hearing the right chord just when you need it most.
When I first stepped inside the Historic Palace Theatre, with her worn seats and dark, quiet stage, I found my calling. To bring this gem back to life. To shine a spotlight on the people of Cape Charles and the lower Eastern Shore. To share my love of the arts. And to test my own limits and abilities: it was a personal challenge. [Read more…]
The Commission for the Arts has awarded the Northampton County Education Foundation a grant to help support an upcoming concert benefiting the Foundation’s work in Northampton County Public Schools.
According to Crosby Johnson, Chairman of the Board of Directors, “This is the first in a series of cultural enhancement and high quality arts opportunities the Foundation will be sponsoring here on the Shore. All proceeds will support scholarships, teacher grants, and special event activities in Northampton County Public Schools. Twenty-five tickets will be distributed to students involved with music programs at all four Northampton schools.” [Read more…]
By WAYNE CREED
December 8, 2014
In Cape Charles, Christmas is our best of times, and this season, Arts Enter and the Palace Theatre are excited to bring you their unique interpretation of the Dickens classic, “A Christmas Carol: An Original Danceable Drama.” Rather than just blowing dust off the pages, and trotting old Ebenezer out in a nightgown once again, we wanted to re-examine the story, not just relative to a mosaic of other literary work, but as a play between the elements of speech, music, and dance.
This sounds like a daunting task, but working with the brilliant Amy Watkins makes it so much easier. Her original choreography pushes our dancers’ movement and form in space, shape, time and energy. For Amy, it is the art of movement, using the language of ballet, contemporary dance, jazz, hip hop, folk dance, GaGa, and even pedestrian movement, all fused together in a spiritual, emotional, and even non-literal textual context to create a vivid and intense narrative that invokes dance’s grandest ghosts of the past and present, Martha Graham and Twyla Tharp.
We are also blessed to have a supremely talented costume designer (who can lift a great deal of stress off of the directors), Vera Miller, who uses fabric to create the characters and fill the stage with texture and color. For period pieces, such as “A Christmas Carol,” she is marvelous in her ability to plot color, changing social status or period through the visual design of garments and accessories. This may sound simple, but it requires a unique knowledge of not just fabric and pattern development, but also an in-depth education in the history of textiles and fashion. [Read more…]